The Book of Eli

• ISBN13: 9781936107353
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Eli Canaan is a believer. And, like many, he believes himself to be a principled man. Well, for the most part anyway. But, after a series of misteps, sins, some would say, Eli's life is suddenly and unexpectedly altered forever. A spurned wife, a gypsy, a hex and spiritual intervention may all be at the root of Eli's unexpected, deep and earnest introspection.

Cold Creek Manor

• Finally putting an end to their days as slaves to the hustle-and-bustle of city life, Gothamites Cooper Tilson (Dennis Quaid) and his wife, Leah (Sharon Stone), pack up their kids and all their possessions and move into a recently repossessed mansion in the sticks of New York State. Once grand and elegant, the Cold Creek Manor is now a shambles, but Cooper and Leah have plenty of time to renovate.

COLD CREEK MANOR is a heart-pounding thriller that will keep you on the edge of your seat in tension-filled suspense. Wanting to escape city life for the saner, safer countryside, New Yorkers Cooper Tilson (Dennis Quaid), his wife Leah (1995 Golden Globe winner Sharon Stone, Best Actress, CASINO), and their two children move into a dilapidated old mansion still filled with the possessions of the previous family. Turning it into their dream house soon becomes a living nightmare when the previous owne! r (Stephen Dorff) shows up, and a series of terrifying incidents lead them on a spine-tingling search for clues to the estate's dark and lurid past.Turn off your brain and Cold Creek Manor just might turn into an entertaining thriller. Taking an uncharacteristic detour into nonsensical plot mechanics, director Mike Figgis expertly pushes buttons with this nerve-jangling but ultimately hackneyed story (by Richard Jeffries) about a documentary filmmaker (Dennis Quaid) who moves his wife (Sharon Stone) and two kids into a run-down rural mansion once owned by the family of a simmering ex-convict (Stephen Dorff), who's got secret reasons for wanting Quaid's family to leave. This rote potboiler wants to be as thrilling as Fatal Attraction, but it's more like Pacific Heights--fun to watch as the tension escalates with Dorff's violent behavior, but seriously flawed as plot holes proliferate. With a few good shocks and slinky support from Juliette Lewis, it's pe! rfectly enjoyable as a popcorn distraction, but maybe they sho! uld've c alled it Cold Creaky Manor instead. --Jeff Shannon

Get Him to the Greek (Single-Disc Edition)

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

A record company intern is hired to accompany out-of-control british rock star aldous snow to a concert at l.A.s greek theater. Studio: Uni Dist Corp. (mca) Release Date: 09/28/2010 Starring: Jonah Hill Sean Combs Run time: 109 minutes Rating: R Director: Nicholas Stoller

Marc New York By Andrew Marc Men's Logan 26.5-Inch Faux Shearling Collar Aviator, Espresso, X-Large

• Removable Faux Shearling Collar
• Knit Trim at Collar and Cuff for Added Warmth and Style

26.5-Inch stand collar aviator bomber with removable faux shearling collar, biswing back, chest zip pocket, quilted liner

Freddy's Dead The Final Nightmare - Robert Englund - Movie Photo Print

• Movie Photo Print
• New and Unused
• Great For Framing
• Ideal As A Gift

A child psychologist`s nightmares lead her to the town of Springwood and Freddy Krueger.For two generations Freddy Krueger has scared the dickens out of movie goers. Now the most-dreamed-about name in horror history can be seen from beginning to end in this must-have collection.In the trinity of modern horror films, there's the father (Michael Myers of Halloween), the son (Jason of Friday the13th fame, a knockoff), and the unholy spirit, Freddy Krueger of the Nightmare on Elm Street films. The spectral man who haunted the nightmares of unsuspecting teenagers with deadly consequences, Freddy (as played by Robert Englund) was a truly frightening bogeyman and icon for the '80s. Unlike the hockey-masked Jason, who dispatched horny teenagers with mechanical and monotonous ease (he never ! talked, never took off his mask), Freddy was a truly creative and diabolical villain, with a sadistic and blackly funny personality. The hallmarks of the Nightmare on Elm Street series were imaginatively gruesome suspense pieces, set in the overactive imaginations of the teen victims. The first film of the series, Wes Craven's truly intelligent and scary film, was so hugely successful it begat not one, not two, but six more sequels, each pretty much diluting the originality and horror of its predecesor. (Horror fans will fondly remember Drew Barrymore's assertion in Scream that the first Nightmare film was great but all the rest sucked.) Still, there's fun to be had in the remaining films in the series, seeing as a number of aspiring filmmakers cut their teeth on the continuing saga of Freddy. Frank Darabont (The Shawshank Redemption) and Chuck Russell (The Mask) worked on the third installment, Dream Warriors (starring a you! ng Patricia Arquette), and Renny Harlin (Die Hard 2) ca! me to pr ominence with the ingeniously macabre fourth film, The Dream Master, coscripted by Brian Helgeland (L.A. Confidential). Craven and original star Heather Langenkamp did return for the last film, New Nightmare, which presaged the tongue-in-cheek postmodernism of the Scream films and resharpened Freddy's ability to scare. --Mark EnglehartFreddy, a monstrous mass murderer, makes his last appearance in the dreams of the teenagers he stalks. Sequel to "The Dream Child."Movie Photo Print
Measures 8" x 10" (inches)
New and unused and will be shipped to you packed in plastic and then shipped securely.

Come Early Morning

• COME EARLY MORNING FF AND WS (DVD MOVIE)

(Drama/Romance) Lucy is a 30-something woman who keeps waking up with a stiff hangover and a guy she doesn't even want to look at. If coming to grips with why she keeps repeating this pattern isn't enough, Lucy also begins to realize that she needs to get in touch with her familial past and, more importantly, with the person she has become.Come Early Morning comes as a mid-afternoon career correction for Ashley Judd, an actress oft dissed in the years since her fresh, breakout performance in the indie gem Ruby in Paradise. No mystery there: what other lovely and talented woman has appeared in such a string of crummy serial-killer movies? By redemptive contrast, Come Early Morning suggests a de facto sequel to Ruby 13 years down the road. Again Judd limpidly portrays a young Southern woman, Lucy, trying to get free of a debil! itating heritage--dysfunctional family on every side--and find her way to some kind of contentment. Lucy makes more bad decisions than Ruby did. For her, early morning isn't so much a new day as the hour when she faces waking up with one more guy she couldn't care less about. She plans it that way, because commitment is something she flees with grim resolve. But she also knows that the program isn't working for her.

The writing-directing debut of another offbeat actress, Joey Lauren Adams (Chasing Amy), this is a beautifully observed film, free of condescension toward its Arkansas folk, with an appreciative eye for the plain beauties of small-town life and semi-rural roads, and a sharp ear for three-cushion dialogue. "Did I miss Easter?" Lucy's housemate quietly cracks when she finds Lucy dressed for Sunday-go-to-meetin'; Lucy's trying to reconnect with her estranged dad (a magical, almost wordless performance by the wonderful Scott Wilson), who's started attendi! ng "a new holy-roller church." She also meets a newcomer (Jeff! rey Dono van, excellent) who ought to be Mr. Right ... but nothing quite plays out according to formulaic expectation in this movie--among the most satisfying of 2006, which most people are going to have to discover on DVD. --Richard T. Jameson

Cassandra's Dream

• Ewan McGregor and Colin Farrell star as working brothers whose dreams of better lives leads to desperation, greed and deadly betrayal. When gambling debt and an expensive courtship place them in a financial bind, a rich uncle (Tom Wilkinson, Michael Clayton) offers them an out in exchange for committing murder. Featuring gripping performances from an all-star cast; "this family tragedy puts us

Ewan McGregor and Colin Farrell star as working class brothers whose dreams of better lives leads to desperation, greed and deadly betrayal. When gambling debt and an expensive courtship place them in a financial bind, a rich uncle (Tom Wilkinson, Michael Clayton) offers them an out in exchange for committing murder. Featuring gripping performances from an all-star cast; "this family tragedy puts us near the edge of our seats and pulls us right along on its downward spiral" (William Arnold, Seattle Pos! t Intelligencer). Woody Allen returns in razor-sharp form with this "intense, intelligently-written and directed," (Jeffrey Lyons, Reel Talk) thriller that challenges how far a man should go in the name of family.Scottish Ewan McGregor and Irish Colin Farrell play two Cockney brothers who get in over their heads when a wealthy relative asks for a favor. Woody Allen's sleek thriller Cassandra's Dream begins in innocent times: Ian (McGregor) and Terry (Farrell) buy a sailboat and name it Cassandra's Dream. But soon Terry falls afoul of gambling debts and Ian falls head over heels for a sultry actress who doesn't take him seriously, leading them to ask their uncle Howard (Tom Wilkinson) for money, which he's happy to give them--if they'll get rid of a man who's going to testify against him. The first half of Cassandra's Dream zips along with short, concise scenes and charismatic performances by the lead lads. Newcomer Hayley Atwell (Brideshead Revisited) i! s alluring as the actress, while Sally Hawkins (Persuasion) bri ngs warmth and sympathy to the underwritten role of Terry's girlfriend Kate. The second half--as with many of Allen's later films--seems to run out of steam, though there's still much to admire about Allen's clean, unfussy filmmaking. Regrettably, he seems to have lost the ability to sustain his imaginative spark. The weakness is in the writing; too many of the characters are barely sketched and clumsy lines of dialogue jar the ear in otherwise well-shaped scenes. But just when you're ready to throw up your hands, there's a moment of understated grace, in which Allen's simple visuals capture something with crystalline clarity. Cassandra's Dream is a frustrating movie, but it has its rewards. --Bret Fetzer