Fried Green Tomatoes (Extended Collector's Edition)

• Wide Screen edition
• extended version

HOW TO MAKE AN AMERICAN QUILT - DVD MovieBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineBased on the bestseller by Whitney Otto, t! his film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall Fine"Remarkable...An affirmation of the strength and power of individual lives, and the way they cannot help fitting together."
THE NEW YORK TIMES BOOK REVIEW
An extraordinay and moving reading experience, HOW TO MAKE AN AMERICAN QUILT is an exploration! of women of yesterday and today, who join together in a uniqu! ely fema le experience. As they gather year after year, their stories, their wisdom, their lives, form the pattern from which all of us draw warmth and comfort for ourselves.
A MAJOR MOTION PICTURE COMING OUT FALL 1995
-- with Maya Angelou, Winona Ryder, and Rip TornBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole! , despite some solid acting. --Marshall FineBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie ! out of it. Directed by Jocelyn Moorhouse (who made a similar h! ash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineFroed Green tomatoes movie, wide screen edition, extended version DVD.Kathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker,! seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom KeoghKathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parke! r, seen in flashback) who once ran a cafe in town against many! persona l odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom Keogh

Field of Dreams [VHS]

• Kevin Costner
• White Sox
• Shoesless Joe
• Liotta
• Baseball

“If you build it, he will come.” With these words, Iowa farmer Ray Kinsella (Kevin Costner) is inspired by a voice he can’t ignore to pursue a dream he can hardly believe. Also starring Ray Liotta, James Earl Jones and Amy Madigan, Field of Dreams is an extraordinary and unforgettable experience that has moved critics and audiences like no other film of its generation. Field of Dreams is a glowing tribute to all who dare to dream.A phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a deli! ghtful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-t! own physician ... but what all of this means is unclear until ! the film 's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Cos! tner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball f! ield created for the production has now become a mecca of sort! s for dr eamers around the world. --Jeff Shannon

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 107 minutes

A phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middl! e of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989! , Field of Dreams has become a modern classic and a uni! quely Am erican slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when! spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonUPC: 25192016622

Field of Dreams - BaseballA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation ! of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kins ella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory ! for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen! star, but the story resonates far beyond Costner's handsome a! ppeal. A s just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting a! udiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonAn Iowa farmer is inspired by a voice he cannot ignore to pursue a dream and turns his cornfield into a baseball field so that some baseball legends can come and play.
Genre: Feature Film-Drama
Rating: PG
Release Date: 23-AUG-2005
Media Type: DVDA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American! screen star, but the story resonates far beyond Costner's han! dsome ap peal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affe! cting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle o! f his cornfield. His wife (Amy Madigan) supports the wild idea! , but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely Americ! an slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when s! pirits from baseball's past begin appearing on the ball field.! Past an d present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, dif! fering greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... bu! t what all of this means is unclear until the film's memorably! heartfe lt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as ! Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created f! or the production has now become a mecca of sorts for dreamers! around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played b! y James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff Shannon

Boss Audio Systems CH6530 Chaos Series 6.5-Inch 3-Way Speaker

• 1/2" PIEZO Dome Tweeter
• 300 Watts Peak Power
• Poly Injection Cone
• 30 oz. Magnet Structure
• Freq. Response 100Hz-18Hz

Special Forces soldiers are daring, seasoned troops from America's heartland, selected in a tough competition and trained in an extraordinary range of skills. They know foreign languages and cultures and unconventional warfare better than any U.S. fighters, and while they prefer to stay out of the limelight, veteran war correspondent Linda Robinson gained access to their closed world. She traveled with them on the frontlines, interviewed them at length on their home bases, and studied their doctrine, methods and history. In Masters of Chaos she tells their story through a select group of senior sergeants and field-grade officers, a band of unforgettable characters like Rawhide, Killer, Michael T, and Alan -- led by the unflappable Lt. C! ol. Chris Conner and Col. Charlie Cleveland, a brilliant but self-effacing West Pointer who led the largest unconventional war campaign since Vietnam in northern Iraq.

Robinson follows the Special Forces from their first post-Vietnam combat in Panama, El Salvador, Desert Storm, Somalia, and the Balkans to their recent trials and triumphs in Afghanistan and Iraq. She witnessed their secret sleuthing and unsung successes in southern Iraq, and recounts here for the first time the dramatic firefights of the western desert. Her blow-by-blow story of the attack on Ansar al-Islam's international terrorist training camp has never been told before.

The most comprehensive account ever of the modern-day Special Forces in action, Masters of Chaos is filled with riveting, intimate detail in the words of a close-knit band of soldiers who have done it all.

The wars in Afghanistan and Iraq have given the U.S. Army's Special Forces, also known as the Green Be! rets, a central role in American military action like never be! fore. Se veral hundred U.S. Special Forces operators helped a motley band of Afghan rebels orchestrate a stunning rout when they overthrew the Taliban after 9/11. In Iraq, as journalist Linda Robinson explains in Masters of Chaos: The Secret History of the Special Forces, Special Forces units were the main U.S. elements on the ground in the northern and western regions of the country, where they defeated government forces that outnumbered them many times over. Robinson tells the story of the Special Forces through the eyes of a few of its more colorful personalities, men with call signs like Rawhide and Killer. She follows them around the world from Panama and El Salvador to Somalia, Kosovo, and, finally, Afghanistan and Iraq. Surprisingly, however, she devotes only a few pages to the Green Beret-led victory in Afghanistan, even though it was arguably their greatest achievement since they were created after World War II.

Critics and supporters of the recent American inte! rventions alike should find the technical proficiency of the Special Forces interesting and impressive. Each 12-soldier team may marshal more than a century of combined experience in weapons, foreign languages, intelligence, communications, air control, and trauma medicine. For a book about such an action-packed subject, though, Robinson's effort is somewhat dry, and she devotes more time to mundane background biographies than to the dramatic battle scenes in which the Special Forces invariably find themselves. In addition, Robinson's "secret history" is an authorized and sympathetic one, and readers may be left wondering what she may have left out of her accounts in order to maintain her access. --Alex RoslinBoss Audio CH6530 Chaos Series 6.5" 3-way Speaker

Changeling

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

Clint Eastwood directs Oscar® winner Angelina Jolie and Oscar® nominee John Malkovich in a riveting and unforgettable true story. Los Angeles, 1928. When single mother Christine Collins (Jolie) leaves for work, her son vanishes without a trace. Five months later, the police reunite mother and son; but he isn't her boy. Driven by one woman's relentless quest for the truth, the case exposes a world of corruption, captivates the public and changes Los Angeles forever. This emotionally gripping story illustrates the profound power of a mother's love in "a mesmerizing film that burns in the memory" (Peter Travers, Rolling Stone). Starring: Angelina Jolie, John Malkovich, Jeffrey Donovan, Michael Kelly, Colm Feore, Jason Butler Harner, Amy Ryan, Geoff Pierson, Denis O'Hare, Frank Wood Direc! ted by: Clint EastwoodClint Eastwood’s mastery as a director, established over the past decade and a half with Unforgiven, Million Dollar Baby, Letters from Iwo Jima, and others, continues with Changeling, a 2008 offering based on a shocking but all-too-true story about child abduction and police corruption in 1920s Los Angeles. Single mother Christine Collins (Angelina Jolie, excellent in a role with somewhat limited parameters) finds her 9-year-old son, Walter, missing when she returns home from work one day. She files a report with the Los Angeles Police Department, an outfit that was wildly unpopular at the time (in his regular radio broadcast, a crusading pastor played by John Malkovich decries the force as "violent and corrupt," adding that "our protectors are our brutalizers"). When a child roughly matching Walter’s description turns up in Illinois five months later, the LAPD, intent on salvaging its tattered reputation, is onl! y too eager to claim that he is Collins’ missing child. Litt! le matte rs that he’s three inches shorter, is circumcised (Walter wasn’t), and fails to pass muster with Walter’s dentist, schoolteacher, and others; the cops, in particular the odious Captain J.J. Jones (Jeffrey Donovan), insist that the mistake is Christine’s, not theirs. What follows is almost too nightmarish to believe--except that it actually happened. Exasperated by Collins’ continued claim that "Walter" is a fraud, they trot out a doctor to reinforce the bogus ID, declare her unfit as a mother, and finally have her committed to a local psychopathic ward. Through it all, Collins, bolstered by the pastor and thousands of outraged Angelenos, refuses to sign a document that would exonerate the police for their egregious error. As for Walter, it’s only when the LAPD’s seemingly only honest detective (Michael Kelly) takes matters into his own hands that the grisly mystery of the child’s fate begins to be solved. That would have been a good place for the film to conc! lude, too. Unfortunately, it goes on for more than another half hour, with innumerable false endings that add nothing to the story and could just as easily have been summarized with a few sentences before the final credits. That flaw aside (and it’s a major one), Changeling is a powerful film, with a realistic period feel, a wonderfully muted vibe and color palette, and an understated score by Eastwood himself. --Sam Graham

Stills from Changeling (Click for larger image)

Amazing Grace: The Lives of Children and the Conscience of a Nation

• ISBN13: 9780060976972
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From the makers of Ray, AMAZING GRACE tells the inspiring story of William Wilberforce and his passion and perseverance to pass a law ending the slave trade in the late 18th century. Several friends, including Wilberforce's minister, a reformed slave ship captain who penned the beloved hymn Amazing Grace, urge him to see the cause through.In this inspirational costume drama, Michael Apted (49 Up) recounts a period in British history sure to be unfamiliar to most Americans. In fact, his eye-opening biography of 18th century abolitionist William Wilberforce (Ioan Gruffudd) is likely to come as a revelation to many Britons, as well. After all, despite the presence of his wife, Barbara (Romola Garai! ), this isn't a particularly "sexy" story, but it is a powerful one. The title comes from John Newton's hymn "Amazing Grace" ("I once was lost but now am found"). Newton (Albert Finney) was a former slaveholder, who became a clergyman and spent his days repenting. While America had John Brown, England had Wilberforce, and Newton is one of many who helped the MP to abolish slavery in the UK. The story begins towards the end of Wilberforce's mission when he's sick with colitis and addicted to laudanum. Apted continues to alternate between 1797 and 1789, when Wilberforce was fitter and more idealistic, and ends in 1807 as his efforts come to fruition. Apted and writer Steven Knight (Dirty Pretty Things) do right by their hero. Unlike Amistad, however, slaves are largely off-screen, with the exception of author Equiano (Senegalese vocalist Youssou N'Dour). Amazing Grace reserves its focus for the politicians who risked their reps for the greater good! , like Wilberforce and Prime Minister Pitt (an excellent Bened! ict Cumb erbatch), and those more concerned with the income slavery provided their constituents, like Lord Tarleton (Ciarán Hinds) and the Duke of Clarence (Toby Jones). --Kathleen C. FennessyGrace loves to act out stories. Sometimes she plays the leading part, sometimes she is 'a cast of thousands.' When her school decides to perform Peter Pan , Grace is longing to play Peter, but her classmates say that Peter was a boy, and besides, he wasn't black...But Grace's Ma and Nana tell her she can be anything she wants if she puts her mind to it...What every good would-be mayor needs is a granny from the hood! In this "sharp and humorous look" (The Hollywood Reporter) at American politics, comedienne Jackie "Moms" Mabley makes her film debut as "a lovable but cantankerous" (Variety) grandma, hell-bent on puttin' her local boy in office! With performances from Slappy White, Stepin Fetchit and Butterfly McQueen, Amazing Grace is a "warm, affectionate, positive" and good "old-fashion! ed comedy" (Los Angeles Times)you'll revisit time and again! A pious, church-goin' widow and grandma, Grace (Mabley) hasa mouth that could take on the devil himself, and the resolve to smack down an even bigger evil: politics! When she learns that her neighbor, mayoral candidate Welton (Moses Gunn), is nothin' more than a white man's pawn, she takes him under her wing and hits the street as his campaign manager! Nowthe blue-blood establishment has a no-nonsense, go-get-'em granny to deal with in a battle for the Baltimore vote!The children in this book defy the stereotypes of urban youth too frequently presented by the media. Tender, generous and often religiously devout, they speak with eloquence and honesty about the poverty and racial isolation that have wounded but not hardened them.

The book does not romanticize or soften the effects of violence and sickness. One fourth of the child-bearing women in the neighborhoods where these children live test positive for HIV! . Pediatric AIDs, life-consuming fires and gang rivalries take! a high toll. Several children die during the year in which this narrative takes place.

A gently written work, Amazing Grace asks questions that are at once political and theological. What is the value of a child's life? What exactly do we plan to do with those whom we appear to have defined as economically and humanly superfluous? How cold -- how cruel, how tough -- do we dare be?

George A. Romero's Diary of the Dead

• From legendary frightmaster George A. Romero comes one of the most daring, hypnotic and absolutely vital horror films of the past decade (fangoria.com). Romero continues his influential Dead series, this time focusing on a terrified group of college film students who record the pandemic rise of flesh-eating zombies while struggling for their own survival. Format: DVD MOVIE Genre: HORROR

From legendary frightmaster George A. Romero comes one of the most daring, hypnotic and absolutely vital horror films of the past decade (fangoria.com). Romero continues his influential Dead series, this time focusing on a terrified group of college film students who record the pandemic rise of flesh-eating zombies while struggling for their own survival. Intensely gruesome and relentlessly grisly fueled by the directors signature realistic special effects Diary of the Dead is must-see horror that is Romero a! t his finest (bloody-disgusting.com).George Romero has always come up with new ways of treating his zombies, and Diary of the Dead is no exception: Romero keeps his dead fresh, with an original approach to the undying subject. This one purports to be the video record of a group of young people who are shooting a low-budget horror movie when the terror strikes: corpses begin re-animating, intent on chewing the living. Our heroes trek across Pennsylvania, encountering the staggering zombies as they go. Other pieces of video are incorporated, which gives Romero a chance at some great set-pieces, including the brilliant opening sequence, a live local-TV feed that goes horribly, horribly wrong, and a home-video tape from a family birthday party, where the party clown turns out to be a dead ringer. All of Romero's Dead films are political, and this one's no exception, with a stark view of the way things are today; it doesn't offer the Hawksian heroics of the survivo! rs in Dawn of the Dead or Land of the Dead for c! omfort, just a group of bickering, shocked youths. There's too much talk about the detachment of watching things through a lens, but in general this is a bracing, intelligent movie. Plus, there's some excellent splatter. --Robert Horton

Herbie - Fully Loaded

• Start your engines! Lindsay Lohan (MEAN GIRLS, FREAKY FRIDAY) does the driving when Herbie -- the fun-lovin', free-wheelin', '63 VW Beetle with a mind of its own -- returns better than ever in Disney's all-new, revved-up comedy adventure! Though a third-generation member of a NASCAR family, Maggie Peyton (Lohan) has always been forbidden from following her racing dreams by her over

Start your engines! Lindsay Lohan (MEAN GIRLS, FREAKY FRIDAY) does the driving when Herbie -- the fun-lovin', free-wheelin', '63 VW Beetle with a mind of its own -- returns better than ever in Disney's all-new, revved-up comedy adventure! Though a third-generation member of a NASCAR family, Maggie Peyton (Lohan) has always been forbidden from following her racing dreams by her overprotective father (Michael Keaton â€" FIRST DAUGHTER). But she has no idea her life is about to take a huge u-turn! After discovering th! e irresistible Herbie in a junkyard, they form a magical team that will save her family and rewrite the racing record books! With Breckin Meyer (ROAD TRIP), Matt Dillon (THERE'S SOMETHING ABOUT MARY), and an all-star cast along for the ride, you better believe ol’ Number 53 has some new tricks under his hood!The simple pleasure of watching a living car squirt oil in a villain's face just never goes away. Disney, in their effort to revitalize the Herbie franchise, has made the wise choice of not trying too hard--aside from a small bit of skateboarding action, just about every element of Herbie: Fully Loaded would fit right into the 1963 original (groovily titled The Love Bug) or its various sequels. Maggie Peyton (Lindsay Lohan, the fiery-tressed starlet of Mean Girls and Freaky Friday) wants to join her family's dynasty of race car drivers, but her father (Michael Keaton, Batman Returns) worries that she'll get hurt. Instead, as a! college graduation gift, he buys her a junked-out Volkswagen ! Beetle-- which turns out to be Herbie, a car with a mind of its own. Soon Maggie and Herbie are racing against an arrogant racing champion (Matt Dillon, Crash, There's Something About Mary) and duking it out with monster trucks, eventually hoping her father's heart will change. Herbie: Fully Loaded is formulaic fluff, but executed with cheerful enthusiasm; everyone involved has clearly embraced the mix of slapstick hijinks and light family drama. There's even a handful of cameos by NASCAR drivers. The result is every bit as ridiculous yet entertaining as its forebears. --Bret Fetzer

Death Race 2000 (Roger Corman's Cult Classics)

• The 1975 low-budgetic Death Race 2000 takes place in the year 2000, when America s national sport is the death race, a cross-country excursion in which contestants rack up points by killing innocent bystanders. Meanwhile, a revolution is brewing, and rebels disrupt the televised competition in an attempt to overthrow the morally bankrupt President. Will Frankenstein, the mysterious reigning champ

Genre: Action/Adventure
Rating: UN
Release Date: 23-DEC-2008
Media Type: DVDMayhem rules in Death Race, a head-over-heels remake of the Roger Corman cult classic Death Race 2000, in which cars become lethal weapons. The strength of this new version is its total single-mindedness about vehicular homicide; it has the virtue of no cluttering subplots or simpering sentimentality. And banish all memory of the original's wild satirical comedy: ! Death Race is as grim as a dinner tray to the face (a reference that will be explained in a key sequence). In a slightly futuristic maximum-security prison, cons take part in brutal races around the island prison, their violent deaths watched live by millions of viewers. Jason Statham, possibly cast because of his driving dexterity in the Transporter movies, plays a man wrongly imprisoned for murder. Joan Allen provides her brittle cool as the warden, who recruits Statham to assume the masked persona of a legendary driver called Frankenstein. Tyrese Gibson is Frankie's main rival, Natalie Martinez provides the fetching eye candy, but the acting honors go to Ian McShane, as the philosophical prison mechanic. One misses the cross-country race from the original film, as the setting here is claustrophobic and the cars are largely colorless and indistinguishable from each other. Director Paul W.S. Anderson (Resident Evil) continues to display the sensibili! ty of a video-game addict, which will either be a recommendati! on or a turn-off, depending on your own tastes. At least it doesn't have the hypocritical moral blathering of something like the somewhat similar Condemned--who knew you could be so grateful for simple, straight-forward head-bashing? --Robert Horton


Stills from Death Race (Click for larger image)

DEATH RACE - Blu-Ray MovieMayhem rules in Death Race, a head-over-heels remake of the Roger Corman cult classic Death Race 2000, in which c! ars become lethal weapons. The strength of this new version is! its tot al single-mindedness about vehicular homicide; it has the virtue of no cluttering subplots or simpering sentimentality. And banish all memory of the original's wild satirical comedy: Death Race is as grim as a dinner tray to the face (a reference that will be explained in a key sequence). In a slightly futuristic maximum-security prison, cons take part in brutal races around the island prison, their violent deaths watched live by millions of viewers. Jason Statham, possibly cast because of his driving dexterity in the Transporter movies, plays a man wrongly imprisoned for murder. Joan Allen provides her brittle cool as the warden, who recruits Statham to assume the masked persona of a legendary driver called Frankenstein. Tyrese Gibson is Frankie's main rival, Natalie Martinez provides the fetching eye candy, but the acting honors go to Ian McShane, as the philosophical prison mechanic. One misses the cross-country race from the original film, as the settin! g here is claustrophobic and the cars are largely colorless and indistinguishable from each other. Director Paul W.S. Anderson (Resident Evil) continues to display the sensibility of a video-game addict, which will either be a recommendation or a turn-off, depending on your own tastes. At least it doesn't have the hypocritical moral blathering of something like the somewhat similar Condemned--who knew you could be so grateful for simple, straight-forward head-bashing? --Robert Horton


Stills from Death Race (Click for larger image)

In the world’s most dangerous prison, a new game is born: Death Race. The rules of this adrenaline-fueled blood sport are simple, drive â€" or die. When repentant convict Carl Lucas (Luke Goss) discovers there’s a price on his head, his only hope is to survive a twisted race against an army of hardened criminals and tricked-out cars. Also starring Danny Trejo and Ving Rhames, Death Race 2 tells the explosive story of how the legendary race began. Strap yourself in for an insane thrill-ride!From the man who introduced us to Jack Nicholson, Francis Ford Coppola, Jonathan Demme, James Cameron and Martin Scorsese . . . Shout! Factory is proud to present a new collectors series of Roger Corman s most loved productions.


Welcome to the year 2000, now a place plagued by a lack of morals and political unrest. The only thing that society looks forward to is the three-day Transcontinental Death Race, a high-speed competition that is won ! by the driver who collects the most points by killing spectato! rs and p edestrians. But this year the drivers have something to worry about other than getting killed by rival contestants: there is a group of anti-race activists trying to stop the race for good. The games all-time champion, Frankenstein (David Carradine), takes on such colorful characters as Machine Gun Joe Viterbo (Sylvester Stallone), Calamity Jane (Mary Woronov), Nero The Hero (Martin Kove) and Matilda The Hun (Roberta Collins) in this dark comedy-science fiction classic directed by Paul Bartel ( Eating Raoul). ?

Bonus Features:

* New Anamorphic Widescreen (1.85:1) High-Definition Transfer From The Interpositive Film Element

* David On Death Race: Interview with David Carradine

* Audio Commentary With Roger Corman & Mary Woronov

* New Audio Commentary With Assistant Director Lewis Teague And Editor Tina Hirsh

* Playing The Game: Looking Back at Death Race 2000

* Ready To Wear: Interview with costume designer Jane! Ruhm

* Designing Dystopia A detailed look at the design of the films now-legendary race cars, costumes and futuristic landscapes with members of the production, design and costume crew

* Start Your Engines: Interview with author Ib Melchior

* Killer Score: An all-new interview with composer Paul Chihara on the creation of the films eclectic score

* Leonard Maltin Interviews Roger Corman About Death Race 2000

* Theatrical Trailer

* Theatrical Trailer With Commentary By John Landis

* TV And Radio spots

* 12-Page Booklet

* New World Trailers