Capitalism: A Love Story

• In presenting a fireball of a movie that might change your life (Peter Travers, Rolling Stone), Moore skewers both major political parties (Claudia Puig, USA Today) for selling out the millions of people devastated by loss of homes and jobs to the interests of fat cat capitalists. Moore has dug up some astonishing dirt (Brian D. Johnson, Macleans), stories told in the faces of the foreclosed and e

In presenting a “fireball of a movie that might change your life” (Peter Travers, Rolling Stone), Moore “skewers both major political parties” (Claudia Puig, USA Today) for selling out the millions of people devastated by loss of homes and jobs to the interests of fat cat capitalists. Moore has “dug up some astonishing dirt” (Brian D. Johnson, Macleans), stories told in the faces of the foreclosed and evicted, in the food stamps received by hungry airline pilots, and in the courage of fi! red factory workers who refuse to go quietly. But more than a cry of despair, Moore’s film raises the possibility of hope. Capitalism: A Love Story is “The most American of films since the populist cinema of Frank Capra (It’s a Wonderful Life)” (Dan Siegel, Huffington Post ), “a movie that manages shrewdly, even brilliantly, to capitalize on the populist anger that has been sweeping the nation” (Joe Morgenstern, Wall Street Journal ). Capitalism: A Love Story is loaded with over 90 minutes of hilarious extended and deleted scenes, as well as exciting and informative featurettes profiling Americans and American businesses!Michael Moore's didactic documentary style is actually a source of inspiration in Capitalism: A Love Story. This film, which explores the history of incongruence between American capitalism and democracy, is evidently a culmination of Moore's lifetime of research into this topic: he begins the movie by admitting his longstanding interes! t, rooted in childhood experiences in Flint, Michigan. As a re! sult, th e film displays an expertise that is less irritating than in Moore's earlier works, in which various loopholes can be found in one-sided presentations (see Bowling for Columbine). Here Moore employs his trademark tactics to make a satirical documentary that functions as a film-based, grassroots political strategy meant to provoke revolt. Consisting of patched-together clips from various eras and media outlets, the film weaves a narrative that underscores Moore's argument that while America is a success because of its democracy, it has been denigrated by capitalism, which he calls "a system of taking and giving, mostly taking." Capitalism: A Love Story is a patriotic call to arms that seeks to ignite rage in the viewer who is tired of political stupidity resulting in poverty and hardship among a dwindling middle class. It begins by tracing the growing gap between the rich and poor, from the Depression through the 1950s "free enterprise" boom. Using clips of ! FDR and Jimmy Carter warning against greed and inequality, Moore shows how gradually Americans came to accept Reaganomics, corporate corruption, then Bush-era swindling over time. This history serves as context for his explanation of the housing crisis, the collapse of banks, and Bush's covert, last-ditch efforts to pass sketchy bills on the cusp of Obama's election. Moore asks several lawyers, senators, and bankers, "What the **** happened?" and each offers intelligent assessments of situations that many American viewers still struggle to comprehend. Unfortunately, there are corny Moore moments throughout the film, such as when he takes an armored truck to various banking headquarters and harasses security guards to let him in to reclaim money stolen from the American public. Clips of Bush dancing juxtaposed with shots of people crying because they've lost their homes are melodramatic and only weaken Moore's arguments. Like Robin Hood, Moore seeks justice, but his greatest! strength is as a translator between those speaking a complex ! politica l language and his viewers. Capitalism: A Love Story, while it does have a condescending tone throughout, does much to relay a complicated history that we all need to know for the sake of our own empowerment. --Trinie Dalton

Stills from Capitalism: A Love Story (Click for larger image)

Fun with Dick and Jane

• ISBN13: 9780448434117
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Fun With Dick And Jane provides comic relief alongside a relevant look at today’s corporate scandals. In the film, Dick Harpers’ (Carrey) years of hard work finally pay off when he is promoted to vice president of Globodyne, a worldwide business leader. After exactly one day at his new job, Globodyne is destroyed, leaving him and his loving wife, Jane (Leoni) without financial security. This sudden reversal of fortune has left them both unprepared to give up their comfortable lifestyle and Dick comes up with the brilliant idea of turning to robbery to pay the bills. Utilizing newfound skills, Dick and Jane exact hilarious revenge while teaching big business a lesson.Remakes are always! a gamble, so it's a pleasant surprise that Fun with Dick and Jane pays off with unexpected dividends. It's as entertaining as the 1977 original starring George Segal and Jane Fonda, and the teaming of Jim Carrey and Téa Leoni makes this a safe bet for comedy fans, in spite of a slapstick screenplay that fails to achieve its fullest potential. Rather than attempt a darkly comedic send-up of the Enron scandal that left thousands of stockholders in financial ruin, director Dean Parisot (Galaxy Quest) opts for a lighter, more accessible (read: commercial) satire of corporate greed and cynicism, beginning in the year 2000 when Dick (Carrey) gets a plum promotion as a mega-corporate communications director just as his boss (Alec Baldwin) is preparing to bail out before stock prices plummet. Dick's wife Jane (Leoni) has quit her job as a travel agent, so the corporate bombshell leaves them penniless and desperate, resorting to petty thievery and, eventually, plotti! ng high-stakes revenge against the greedy executives who ruine! d their lives. As a send-up of financial distress in a ravaged post-Enron economy, Fun with Dick and Jane delivers laughs with just enough pointed humor to give it a strong satirical edge, and Carrey's reliable brand of zaniness is controlled enough to balance nicely with Leoni's more subtle (and woefully underrated) skills as a screen comedienne. And while the "special thanks" end-credits hint at the sharper, more biting satire this might have been, there’s enough fun with Dick and Jane to make this recycled comedy worth a look. --Jeff ShannonStudio: Sony Pictures Home Ent Release Date: 12/06/2005 Run time: 96 minutes Rating: PgJane Fonda was so respected as a serious actress that her comedy chops sometimes were overlooked. But it should be remembered that her first real hits (Barefoot in the Park, Cat Ballou) were comedies. This underrated 1977 outing also played for laughs, though it had social-satire underpinnings that still ring true. Fonda and ! George Segal play an upwardly mobile couple in the time before yuppies--think of them as protoyuppies. But their status-oriented existence suffers what could be a fatal blow when hubby is maneuvered out of his job. Broke and unemployed, they become armed robbers--and discover that crime can pay for them to live in the style to which they've become accustomed. Segal and Fonda have a breezy ease as confused suburbanites who bring the same neurotic thoroughness to crime that they do to their careers. But the script (whose authors include Jerry Belson and Mordechai Richler) never uses either the Robin Hood angle or any other angle that could sustain a sharp edge; as a result, the comedy winds up more cute than knowing. --Marshall Fine Parents will love revisiting a fond part of their childhoods when they share these classic Dick and Jane readers with their children. With charmingly innocent exploits and simple, repetitive declarations, these beloved characters helped ent! ire generations work, play, look, seeâ€"and learn! And now the! y’re a vailable for a whole new generation to enjoy.

“Look, Jane,” said Dick. “Here is something funny. Can you guess what it is?”

Sterling Silver Japanese "Godsend" Kanji Symbol Charm

• solid sterling silver with high polish finish
• translation engraved on the back
• hand cast in the USA exclusively by DragonWeave
• gift box included
• ships immediately

THIS TAUT & GRIPPING THRILLER TELLS THE STORY OF DEVOTEDPARENTS WHO ARE WILLING TO DO ANYTHING TO RESURRECT THEIR BELOVED SON WHO WAS TRAGICALLY KILLED IN A FREAK ACCIDENT.While it preys on the emotions of grieving parents, Godsend serves up a few minor shocks in an otherwise frightless supernatural thriller. Greg Kinnear and Rebecca Romijn-Stamos are the once-happy couple whose 8-year-old son (Cameron Bright) has been struck and killed by a car. When a fertility and genetics expert (Robert De Niro) offers them an opportunity to resurrect their boy through a secret, illegal cloning procedure, they don't know that the doctor's hidden agenda will have horrifying repercussions when the "new" son! passes his eighth birthday and begins having "night terrors" about another boy who'd suffered a similarly unfortunate fate. Any casual viewer will catch the plot twist early, after which Godsend presses its flimsy premise past the breaking point. There are some eerie moments involving the kid (and Bright has effectively disturbing presence), but wretched dialogue and derivative plotting undermine the talented leads, all of whom seem to be slumming in the B-movie cellar. --Jeff Shannonrian Cathcart, a 27-year-old black man, is a private investigator of a different sort. He only takes serious cases that the police have abandoned. When asked what kind of laws he might break, Brian counted on his fingers while saying, "Illegal phone taps, bribery, extortion, assault, blackmail, threats--"

After solving a missing persons case, which turned out to be a 12-year-old homicide, Brian hardly has time to celebrate. His girlfriend is killed and his assistant is! shot in the chest, so he wants to close Godsend Private Inves! tigation s before the agency can even get started good. But then something changes his mind: A wealthy couple offers him $600,000 for the return of a kidnapped child. And since Brian himself is the father of an adorable little girl, he decides that his agency shoud exist as a necessary evil. This time he may break a law called homicide.rian Cathcart, a 27-year-old black man, is a private investigator of a different sort. He only takes serious cases that the police have abandoned. When asked what kind of laws he might break, Brian counted on his fingers while saying, "Illegal phone taps, bribery, extortion, assault, blackmail, threats--"

After solving a missing persons case, which turned out to be a 12-year-old homicide, Brian hardly has time to celebrate. His girlfriend is killed and his assistant is shot in the chest, so he wants to close Godsend Private Investigations before the agency can even get started good. But then something changes his mind: A wealthy couple offers hi! m $600,000 for the return of a kidnapped child. And since Brian himself is the father of an adorable little girl, he decides that his agency shoud exist as a necessary evil. This time he may break a law called homicide.Dark Town:
A quiet suburban town is overrun by vampires! The once-idyllic picture of the typical American family now hosts spectacles of carnage behind every picket fence, as the neighbors prowl the streets feasting on the dead and dying. Jen and Rakeem are the only two left to fight their way out of the suburban slaughterhouse...will they survive?

Godsend:
Following the death of their eight-year-old son. Adam, devastated parents Jessie (Rebecca Romijn) and Paul (Greg Kinnear) are desperate to do anything to resurrect their beloved child. Befriended by a doctor on the forefront of genetic research (Robert DeNiro),they are offered a chance to reverse the rules of nature and clone their son. The experiment appears succe! ssful under the doctor'swatchful eye, and Adam grows into a he! althy, h appy, young boy...until his Eighth birthday. Then the night terrors and frightening flashbacks are only the beginning. Reaching the age at which the original Adam died, the new Adam begins to change, and a new sinister personality emerges.

Martin:
From Director George A. Romero comes a dynamic gothic original. Martin is a misunderstood young man who happens to be a vampire...maybe. The sun really just bothers his eyes a little, garlic and crosses have no effects and he has no fangs. He also doesn't haveany vampiric powers which makes acquiring blood and extremely harrowing experience for all involved.

Modern Vampire:
Los Angeles has a discreet community of tortured bloodthirsty creatures of the night. But when a mysterious vampire (Natasha Gregson Wagner) enters the scene, The Count wants this blood sucking seductress eliminated before her rampage of death exposes the cult.Her only chance at immortality lies in the fangs of D! allas (Casper Van Dien, Starship Troopers). But when a distraught mortal, Dr.Frederick van Helsing (Rod Steiger), seeks revenge on the vampires that damned his son, he vows to kill them all, slowly. Togetherwith a band of vampire hungers, Dr. Van Helsing declares war on the underground church of damnation. Welcome to Transylvania in the Hollywood Hills.Hand cast sterling silver silhouette-style charm of the Japanese kanji symbol for "godsend." In Japanese, it is pronounced tenyo. The word "godsend" is engraved on the back, as a translation. Charm is 1 1/8" (29mm) long, 2/3" (16mm) across, and 1mm thick. Comes on a 6mm split ring, suitable for wearing on a charm bracelet or necklace chain, for a total length of 1 3/8" (35mm). Lovingly handcast in the USA exclusively by DragonWeave. High quality - accept no substitutes!

Thor (Two-Disc Blu-ray/DVD Combo + Digital Copy)

• Thor Blueray Used Movie

Raised by her father (Eric Bana), an ex-CIA agent, in the wilds of Finland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), ! who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerRaised by her father (Eric Bana), an ex-CIA agent, in the wil! ds of Fi nland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerThe epic adventure Thor spans the Marvel universe from present-day Earth to the cosmic realm of Asgard. At the center of the story is The Mighty Thor, a powerful but a! rrogant warrior whose reckless actions reignite an ancient war! . As a r esult, Thor is banished to Earth where he is forced to live among humans. When the most dangerous villain of his world sends its darkest forces to invade Earth, Thor learns what it takes to be a true hero.Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the most problematic to properly pull off. (Hypothetical Hollywood conversation: "A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?") Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach that doesn't shy away from the over-the-top superheroics. When you're dealing with a flying guy wielding a huge hammer, gritty realism can be overrated, really. Blending elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is b! anished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the aid of a beautiful scientist (Natalie Portman). Although director Kenneth Branagh certainly doesn't skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itself by adopting a larger-than-life cosmic Shakespearean air that sets itself apart from both the cerebral, grounded style made fashionable by The Dark Knight and the loose-limbed Rat Packish vibe of the Iron Man series. Glorying in the absolute unreality of its premise, Branagh's film is a swooping, Jack Kirby-inspired saga that brings the big-budget grins on a consistent basis, as well as tying in with the superhero battle! royale The Avengers. --Andrew Wright

Prolab Caffeine, Maximum Potency, 200 mg, Tablets, 100 tablets

• Provides the energizing effects of caffeine without added sugar or calories to support your training needs without compromising your dietary goals
• Boosts your metabolism for faster fat loss
• Pre workout boost and energizer
• Made in U.S.A

Be invincible. Exergetix.

Fear Dot Com : Widescreen Edition

• Widescreen

Four people all died 48 hours after logging on to a website named feardotcom.com. Tough detective Mike Reilly (Stephen Dorff) collaborates with Department of Health associate Terry Huston (Natasha McElhone) to research these mysterious deaths. The only way to find out though what really happened is to enter the site itself. Fear Dot Com is a total-dot-mess, but it's a stylishly graphic frightfest that horror buffs will probably appreciate. As he did with his 1999 remake of House on Haunted Hill, director William Malone favors trippy atmosphere at the expense of acting, character development, and plot. Belatedly jumping on the Internet-thriller bandwagon, the film follows a brooding detective (Stephen Dorff) and a public health inspector (Natascha McElhone) as they investigate the deadly influence of the titular Web site, which channels the innermost fears of its visit! ors until they die of fright 48 hours later. Why 48 hours? Don't ask; Josephine Coyle's screenplay is as incoherent as Malone's grasp of narrative momentum, leaving Dorff and McElhone with little to do but look frightened and doomed. But Fear Dot Com has its moments, especially after mad doctor Stephen Rea's gruesome villainy is fully revealed, and the proceedings take on the monochrome pallor of silent German expressionism. Too bad these fantastic visuals weren't servicing a better movie. --Jeff ShannonDVD

Big Sexy Hair What A Tease Styler By Sexy Hair, 4.4 Ounce

• Styling
• 4.4 oz.

Big Tease Mascara Remember back when hair was teased a mile high? Well, this lash lengthening and thickening mascara does the same for your lashes. Its unique brush has a thinner side that separates and lengthens lashes one by one, easily reaching the littlest of lower lashes and the thicker, short-bristled side builds volume for incredibly intense, amplified eyes. From root to tip, this lash magnifying mascara makes ordinary lashes into noticeably longer, fuller, flirty lashes in seconds. Size: 0.28 oz A Styling Product to Tease Tresses

The Sexy Hair Big Sexy Hair What a Tease is a great product to add volume to your hair. Use it anytime to get a hairstyle that is full and gorgeous. The product is formulated to moisturize and add shine to your hair without leaving it greasy and heavy.

• Moisturizes and leave a shine on your hair
• Weightle! ss formula
• Gives hair instant body and volume

Use the product today for lustrous, gorgeous hair

Just for you: Recommended for all hair types

A Closer Look: The Sexy Hair Big Sexy Hair What a Tease contains octylacrylamide, which gives hair a smooth and glossy finish.

Harsh chemicals

Get Started: Mist into dry hair, focusing on the ends and lightly working throughout tresses. Use hands to separate and expand the shape.

Enemy At the Gates : Widescreen Edition

• Widescreen

An all-star cast lights up the screen in this riveting epic hailed as "a vivid dramatization of one of history's titanic turning points". (Gene Shalit, Today) The year is 1942 and the Nazis are cutting a deadly swath through Russia. Under the leadership of Kruschev (Bob Hoskins), the citizens of Stalingrad are mounting a brave resistance, spurred by the exploits of their local hero, Vassili Zaitsev (Jude Law). An expert sniper, Vassili's deeds have become legendary - thanks to propaganda produced by Vassili's best friend, a political officer named Danilov (Joseph Fiennes). To stop Vassili, the Germans dispatch their best sniper, Major Konig (Ed Harris), to Stalingrad. When Vassili and Danilov both fall in love with a beautiful soldier (Rachel Weisz), Danilov deserts his friend, leaving Vassili to face his German counterpart alone. As the city burns, Vassili and Konig begin! a cunning game of cat and mouse, waging a private war for courage, honor and country.Like Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the German invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a wo! man soldier (Rachel Weisz), but she is also loved by Danilov ! (Joseph Fiennes), the Soviet officer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal interest to the central plot, but it's not enough to make this a classic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon

Genre: Action/Adventure
Rating: R
Release Date: 19-MAY-2009
Media Type: Blu-RayLike Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the Ger! man invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a woman soldier (Rachel Weisz), but she is also loved by Danilov (Joseph Fiennes), the Soviet officer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal i! nterest to the central plot, but it's not enough to make this! a class ic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon

Studio: Paramount Home Video Release Date: 08/02/2011 Rating: RDVD

Shorts

• While grownups at Black Box Industries work to improve the handheld gizmo that s this year s high-tech must-have, neighborhood kid Toby Toe Thompson has something even better: he s found the Wishing Rock. Be careful what you wish for, Toe! Spy Kids filmmaker Robert Rodriguez hatches a fun-filled story of the chaos that erupts when folks young and old get their hands on the rainbow-striped stone. H

It’s summer vacation, but the Pearson family kids are stuck at a boring lake house with their nerdy parents. That is until feisty, little, green aliens crash-land on the roof, with plans to conquer the house AND Earth! Using only their wits, courage and video game-playing skills, the youngsters must band together to defeat the aliens and save the world -- but the toughest part might be keeping the whole thing a secret from their parents! Featuring an all-star cast including Ashley Tisdale, Andy Ri! chter, Kevin Nealon and Tim Meadows, Aliens In The Attic is the most fun you can have on this planet!

Specs:		Audio: English: 5.1 Dolby Digital / Spanish & French: Dolby Surround Language: Dubbed & Subtitled: English, French & Spanish Theatrical Aspect Ratio: Widescreen: 1.85:1
Episodes-Bonus Features:		**Forced Trailers: Alvin and the Chipmunks The Squeakquel, Percy Jackson Theatrical Trailer, Ice Age 3, Night At The Museum 2, Post Grad, Family Catalog Trailer **Introduction to Film with Ashley Tisdale **! The Ashl ey Encounters **Deleted Scenes **Gag Reel **Behind the Zirkonians **Meet The Zirkonians **Trailer Farm: Delgo, Fame, Strawberry Shortcake: Sky's The Limit

Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in ! search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that i! t's OK to be smart. Aliens in the Attic is kind of li! ke watch ing someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)

Â

It’s summer vacation, but the Pearson family kids are stuck at a boring lake house with their nerdy parents. That is until feisty, little, green aliens crash-land on the roof, with plans to conquer the house AND Earth! Using only their wits, courage and video game-playing skills, the youngsters must band together to defeat the aliens and save the world -- but the toughest part might be keeping the whole thing a secret from t! heir parents! Featuring an all-star cast including Ashley Tisd! ale, And y Richter, Kevin Nealon and Tim Meadows, Aliens In The Attic is the most fun you can have on this planet!

Specs:		Audio: English: 5.1 DTS HD Master Audio / Spanish & French: 5.1 Dolby Digital Language: Dubbed & Subtitled: English, French & Spanish Theatrical Aspect Ratio: Widescreen: 1.85:1
Episodes-Bonus Features:		Disc 1: Widescreen Theatrical Feature Film **Forced Trailers: Alvin and the Chipmunks The Squeakquel, Percy Jackson Theatrical Trailer, Ice! Age 3, Night At The Museum 2, Post Grad, Fame **Introduction to Film with Ashley Tisdale **The Ashley Encounters **Alternate Ending **Deleted Scenes **Gag Reel **Behind the Zirkonians **Meet the Zirkonians **Lights, Camera, Aliens! **Kung Fu Grandma **Brian Anthony "Electricity" Music Video **Fox Movie Channel Presents Life After Film School with Barry Josephson Disc 2: Digital Copy

Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of atti! tude, clash like oil and water, and Bethany (Ashley Tisdale) a! nd her d evious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplishe! d Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)

Â

Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in th! e extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the! world. What ensues is an action-packed battle in which the ki! ds try t o outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 ! and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)

Â

Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a devic! e that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but ! the experience just isn't as stimulating as when you're the on! e behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)

Â

Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), d! on't make the situation any easier. Add in three younger sibli! ngs and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce! that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)

Â

SHORTS - DVD MovieA fantastical story, relayed in the form of short vignettes by director Robert Rodriguez, Shorts is the story of a magic wishing rock and kids' imaginations gone wild. The film plays a lot like the The Little Rascals (Our Gang) films from the 1920's-1940's: it's made up of short, comical epis! odes that focus on kids adventures and how imagination drives their play. When a magical rainbow rock falls from the sky and lands in the middle of tech-town Black Falls, a young boy Toe (Jimmy Bennett) discovers that the rock has the power to grant his every wish. The victim of constant bullying, Toe wishes for friends as unusual as himself and ends up with a posse of aliens who protect him while seriously complicating his life. As narrator, Toby quickly stops the film, explaining that his experience is really the middle of the story, and then rewinds repeatedly to relate various encounters between neighborhood kids and the magic rock. Each short is its own journey into a kid's imagination where wishes for everything from a treasure hunt, to a fortress guarded by crocodiles, a super smart baby with telepathic powers, and a booger monster grown from one boy's booger are immediately granted. These fantastical wishes wreak havoc on the entire Black Falls community: the child! ren, the technology obsessed, disconnected Black Box employees! , and th e tyrannical Black Box boss Mr. Black (James Spader). In the end, the magic rock is a catalyst for change, encouraging kids and adults to work together and inspiring serious reflection regarding one's wishes, dreams, and goals. Rodriguez does a great job of portraying the wildness of kids' imaginations and viewers that delight in over-the-top ridiculousness and the overtly gross will laugh hysterically throughout the film. Unfortunately, those who demand restraint may find it overdone. (Ages 10 and older) --Tami Horiuchi